About the Show

Legoland is the story of the infamous Lamb siblings, extradited to Canada after a brutal attack on one of America’s most beloved pop stars. In this award-winning production, the duo gives a presentation of the harrowing odyssey at their high school. A contemporary Vaudeville routine with ukulele, puppets and gangster rap.

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Tiny Apocalypse follows the rise and fall of Rita, an obsessively organized office worker who finds herself caught in a daily repetitive loop. Within the narrow, grey hallways of the Company, an institutional landscape of mindlessly humming photocopiers, she is normally as regular in her body as she is at her work. But for the past six weeks, nothing has happened. No period- period. Then one day, whilst standing by the photocopier, something happens: an extraordinarily tiny event, which causes her carefully ordered world to spiral wildly out of control.

Darkly comic and playfully irreverent, Tiny Apocalypse scrutinizes the surreal banalities and submerged hysteria of office life in a world shaped and monitored by surveillance.

Garnered six Jessie Richardson Theatre Award nominations and a win for John Webber in the category of Outstanding Lighting Design.

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1863. Mice are gathering under the floorboards on a wealthy Halifax estate. In the servants’ quarters, Charlie is setting traps while Adelaide, the drunken scullery maid, has delusions of sainthood. The two servants become the fascination of their employer’s wayward son, home with stories of travels in strange lands. A love triangle develops, driven by greed, temper and a perverse sense of destiny, culminating in a violent murder and public hanging.

Minimally staged, with an intimate audience/performer relationship and a live musical score, Penny Dreadful is a tale of revelation and love in the age of syphilis.

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Written by Courtenay Dobbie, Craig Hall, Andrew McNee, Erin Mathews, Michael Rinaldi and Juno Ruddell
Director – Courtenay Dobbie & Craig Hall
Featuring – Andrew McNee, Juno Ruddell, Erin Mathews and Michael Rinaldi
Sound Design – Michael Rinaldi
Fight Choreography – Kevin James

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Written by Nicolas Billon, Ravi Jain, Katrina Bugaj and Troels Hagen Findsen
Featuring Ravi Jain, Katrina Bugaj and Troels Hagen Findsen
Dramaturgy – Jennifer Tarver
Design – Trevor Schwellnus, Jamie Nesbitt, Gina Scherr, M.L. Dogg and Kelsey Hart

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Four artists set out across Canada to interview one hundred people, ages 1 through 100, about their experiences and beliefs around fate and destiny. What they discovered on the road – a myriad of personal stories of mystery, joy and endurance – becomes the anchor for a fascinating and moving show that blends the verbatim interviews with the imagination of the travelers.

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“The Last Days of Judas Iscariot makes most contemporary plays seem safe, timid and dull, and reminds us of what is missing not only from 99% of our drama but from 99% of our lives – a sense of spirituality and of mystery.” – The Telegraph

Halfway between Heaven and Hell, in a place called Hope, history’s most infamous sinner stands trial. In a court room that’s as much ghetto as gospel, the witnesses are called – Mother Teresa, Pontius Pilate, Sigmund Freud, a foul-mouthed Saint Monica, a high school football coach, a handful of Jesus’ disciples – to decide questions of forgiveness, mercy, and eternal damnation.

Wildly funny and scathingly provocative, this production was a full mounting of Pound of Flesh Theatre and Pacific Theatre’s critically acclaimed staged reading in 2009.

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“Believe the hype: this is one invisible robot that deserves to be seen.”

                                                      – Winnipeg Sun

Russel is a terminally shy young man who’s had one imaginary friend all his life. Unfortunately, that imaginary friend is a Giant Invisible Robot programmed to destroy. Join Russel as he attempts to find love, bury the past, and prevent his Giant Robot from destroying Earth’s cities one by one.

Winner of the Georgia Straight Critics’ Choice Award – Vancouver Fringe 2011

About Stars and Hearts

From London, Ontario, Jayson McDonald is the Artistic Director of Stars and Hearts and The Natural Broadcasting Company, as well as a founding member of alt-sketch group Fully Insured. He is the creator and writer of the long-running radio-noir parody The Boneyard Man, seen across Ontario on Rogers Television. He’s received a Special Merit award in the Theatre BC National Playwriting Competition, and five London Brickenden Theatre Awards.

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The setting for Endgame is a bare, partially underground room, serving as shelter for Hamm the master, Clov his servant, and Hamm’s father and mother, Nagg and Nell (who live in garbage cans). Hamm is in a wheelchair and makes Clov move him around the room, fetch objects, and look out the window for signs of life. Outside all seems dead and nothing happens. Inside, the characters pass the time mortifying each other and toying with fears and illusions of a possible change, all along sensing the inevitability of their end. Main Street Theatre continues their exploration of contemporary classics in intimate settings with their much-anticipated mounting of Beckett’s masterpiece.

About Main Street Theatre

Main Street Theatre is a Vancouver based theatre company dedicated to producing contemporary classic plays in an intimate environment with a focus on storytelling. With four hit shows and 11 Jessie nominations under their belt, the company is ready to surprise Vancouver audiences again.

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In 2004, video artist Candelario Andrade left his home in Mexico and set off in search of a new life. That same year, playwright Camille Gingras returned to Canada as a last resort. An intimate multimedia performance, A Last Resort explores the lengths two people will go for that perfect life just beyond the horizon.

A Last Resort is the newest work from the creators of the award-winning Tiny Apocalypse, which debuted at the 2008 Tremors Festival.

About Rough House Productions:

Rough House builds, produces and tours new interdisciplinary works for theatre that playfully reflect the absurdities of contemporary culture. They actively bring together emerging and established artists from diverse artistic disciplines and backgrounds to construct innovative, thought-provoking productions that engage audiences through the humanity of live performance.

A Last Resort is presented with the generous support of The Theatre Centre, Youssef-Warren Foundation, Koerner Foundation, Canada Council for the Arts, Shadbolt Centre for the Arts, BC Arts Council and City of Vancouver.

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